Lights, Camera, Action...Nadia Roxburgh: The Technical Artist
Published August 26, 2012 The Sunday Gleaner S itting in a dimly lit cubicle, Nadia Roxburgh's fingers moved in clockwork rhythm on the console, her gaze fixed to the stage, where she disperses the light at the flick of a button. "The stage is the canvas and lighting console the palette," Roxburgh said with a smile. "Lighting up the stage is painting colours, only that we have light to fill the space." The lighting technician at the Philip Sherlock Centre for the Creative Arts at the University of the West Indies says that she needs a creative eye to create the right tone and mood on the set. "Otherwise, it will be bland." The confluence of lighted space on the stage reflects the mood of the show being performed and the lighting engineer has to, like an inspired painter swishing brushstrokes on canvas, create the right hue. Roxburgh's current project, Mr and Mrs Blacke - a story of a wealthy couple whose marriage is o