Carl Lauder started working when he was a teenager and has since kept going Carl Lauder gently pulls out a record from its cover, dusts it and places it on the turntable, gently placing the needle on the groove, and lets the player turn out the sounds of music. Lauder is not a fancy disc jockey, in Randy's Record Mart in Parade, downtown Kingston - a melting pot of the city - he is striving to preserve and keep a musical tradition alive. "I have been working here (at Randy's) since I was a teenager," said Lauder, as he meticulously wiped traces of dust from an LP (long play) record. "I love what I am doing and this gives me the motivation to carry on." Lauder is a lone soldier, treading the path to keep the romance of analogue tones alive in the 21st-century digital world. Randy's is testimonial to the crests of the island's musical history. Sounds of silence: A stack of vinyl in the recording studio Established by Vincent 'Randy...
Hues of the yellow light dispersed on the hollow eyes of the Zemi, standing like a warrior enclosed in a glass frame, the large eye sockets of the mahogany figurine holds centuries of Jamaica's history buried in them. The Zemi, which were worshipped by the Taino, are part of the selection of the rich heritage housed in the Art in Jamaica, c. 1000-c. 1900 section at National Gallery of Jamaica in downtown Kingston. "These (artefacts) are priceless and (are a) deep-rooted representation of Jamaica's history," said Monique Barnett-Davidson, curatorial assistant in the education department at the National Gallery. The diversity of the exhibits - like the country's motto 'Out of Many, One People' is a confluence of cultures - commencing from the early Taino artefacts made of wood, chiselled into the early Spanish-Persian influence in limestone, dissipating on to canvas in geometrical perfection and symmetrical symphony. This artistic journey ...
'The Head' (right), one of the most intriguing photographs taken by Jamaican art photographer Ken Ramsay The soft lights reflected off the row of framed, black and white photographs, and as sun set in the distant horizon and the trees swayed in the cool evening breeze at Redbones Gallery in Kingston, the hues in the skies provided a creative perspective to the silhouettes and faces frozen in the frames. The occasion was to showcase and celebrate the works and life of Ken Ramsay, one of Jamaica's most prolific and well-known art photographers. "He always had different perspectives of life," recounted Anthony Bailey, Ramsay's nephew and one of the organisers of the exhibition. "This always reflected in whatever he did - from the riding boots and the scarf, which made a statement to his love and passion for capturing the beauty around him." Each piece of Ramsay's work, a heady mixture of creativity, craftsmanship and detail, has a story ...
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