amjamin

From concept to finish, a 3D pattern that forms the basis of the patterns transferred on fabric. Take a stroll, shoot random pictures, superimpose them, employ technology, pour tradition and create expressions - sounds like a heady concoction? This is what Rodell Warner is out to do, giving defined space to asymmetries. "Expressing myself in art has given me the opportunity to appreciate whatever we normally tend to overlook," says Warner, a Trinidad and Tobago-based photographer and graphic designer. Armed with an unconventional style, the self-taught artist is converging traditional traits with technology, creating myriad kaleidoscopic patterns. Sitting in a room at New Local Space (NLS), an art incubator in Kingston, Warner meticulously merged photographs that he had taken of foliage to form a pattern, the cool tropical breeze, and the chirping of the birds provided background score. The creator and his creation, reflection of Rodell Warner as he shows on

A collage showcasing ArtUpDownTown, a collaboration between CARIMAC and Studio 174.  Think of downtown Kingston, and pictures of a sea of humanity traversing across alleys, vying for space in between handcarts, vendors on the pavements trying to outsell the other flash past. It might seem chaotic to many, but this is symbolic of vibrancy and, most important, life. This enigma, which unfolds like layers of mysteries being solved, has been captured by a group of youngsters, as they highlight ‘ArtUpDownTown’ For those familiar with political terminologies, Kingston can very well be defined as the proverbial north-south divide, the ‘sterile’ and the ‘unkempt’, ‘ArtUpDownTown’ is an attempt to converge those two distinct aspects of Jamaica’s capital city. Capturing downtown Kingston life on mix media, ArtUpDownTown highlights its sights, sounds and the vibrancy “Its aim is to empower more Jamaicans to tell their own stories through audio, video, and photography, while highlig

"All the world's a stage ... ." The words echo from William Shakespeare's As You Like It. For the Ward Theatre, the stage is the world from which voices echoed, scenes were enacted, and emotions played out to a rousing audience. All that echoes now are sounds of silence, ricocheting from the dark and dim emptiness, and rays of sunlight that permeate the doors and dissipate into the opulent interiors. Charles James Ward built the present structure, its third avatar, in 1912, the theatre opened its doors on December 16 of the same year. Ward, who was the custos of Kingston, is the 'Nephew' in the rum manufacturing company J. Wray & Nephew, which provided the enabling funds. "The Ward Theatre is a magnificent structure, with history written deep into its fabric", said Doreen Thompson of the Ward Theatre Foundation. The Ward Theatre, over the decades, has had its share of anticlimaxes. Here once stood Kingston Theatre, built in 1775