amjamin

In north east India is a district, which is off the tourist grid, seeped in oft time warped traditions – Madhubani (translated as Forest of Honey – Madhu: honey, Ban: forest) – is the home, and lends its name, to the country’s foremost traditional painting genres, which dates back centuries. Rustic, traditional, and precise, each work tells a story – of the painter’s thoughts, dreams, aspirations, and critically giving life to Hinduism’s holy scriptures and deities. A mix of folklore, realism, celebrations, joy, and spiritualism, Madhubani is a personal statement of the artist, carrying on a tradition that has been handed down from generations. Ram Charita Paswan, is one of scores of painters who started dabbling with colours when he was six years old.  “I used to watch my grandmother paint,” the bespectacled, lean fourth-generation painter said. “I used to take cotton wool, tie it on a stick and try to dab paint on a paper, but I always ended up making a mess of things